The Art of Digital Audio Recording a Practical Guide for Home and Studio Savage Steve Pdf

The Art of Digital Audio Recording

A Applied Guide for Home and Studio

Steve Savage

Table of Contents

Introduction
one. The Starting Indicate - Sound meets the computer
ane.i Why computers
1.ii What does it sound like?
1.3 Betoken path
2. The Essentials - Where and how recordings are made
2.1 Recording rooms and control rooms
2.2 Studio monitors
2.3 Microphones and mic placement
2.4 Mixing boards and control surfaces
ii.five EQ: full general information
2.6 Dynamics (compressors and racket gates)
two.7 FX: filibuster
ii.eight FX: reverb
2.9 Beyond traditional DSP
iii. Recording Sessions - A practical guide
three.1 Set
3.two Headphone mixes
iii.3 Survey of recording techniques for instruments and vocalisation
iv. Editing - The new frontier
4.one Editing functions
four.two Screen "real manor"
4.iii Virtual tracks (playlists)
iv.4 Avant-garde Editing
v. Iii Fundamentals - Techniques every recordist needs to know
v.1 Insert/Plug-ins
v.2 Transport & render
5.3 Automobile-switching (auto-input)
six. Mixing - The most creative and the about challenging stage
six.one Mixing requirements
6.two Building a mix
half dozen.3 Automation and recall
6.iv Mix collaboration, communication and delivery
7. Mastering - 1 last session
7.ane What, Why, How and Where
8. 3 Best Practices - Like shooting fish in a barrel ways to enhance the level of your sessions
8.1 Session menses
eight.2 Talkback
8.3 Playback volume
Annex:
i. How to Walk into a Commercial Studio and be the Engineer
2. Researching and Buying Gear: Internet vs. brick and mortar
Appendix:
Digital Audio Formats, Commitment and Storage
Index

The Art of Digital Audio Recording

A Applied Guide for Home and Studio

Steve Cruel

Author Information

An active producer, recording engineer, and instructor, Steve Savage has been the main engineer on seven Grammy-nominated CDs. He is the author of numerous books, including the forthcoming Bytes & Backbeats: Repurposing Audio in the Digital Historic period.

The Art of Digital Sound Recording

A Practical Guide for Home and Studio

Steve Cruel

Reviews and Awards

"Steve Roughshod is the all-time - his mellow, positive personality makes him a pleasance to work with. I'm very happy with the two projects we've washed together. He's very together in the studio, and with Steve there are no technical problems to interrupt the flow of the music making. He's a smart guy and his musical opinions are solid. I'thou glad he wrote this book."--Elvin Bishop, legendary recording artist

"Barbarous succinctly sums upward the digital do'southward and don'ts, ties the techniques and terminology back to their analog roots and relates it all to the needs of the music and musicians. Great book!"--Richard James Burgess Ph.D., author of The Art of Record Product and The Art of Music Product

"Steve Vicious's combination of industry and bookish experience give this book the huge advantage of bringing together the rigor of his inquiry and theoretical knowledge with his practical grounding in the technicalities, social dynamics, and psychology of how the recording procedure works. I loved it."--Simon Zagorski-Thomas, Chairman of the Association for the Report of the Art of Tape Product and Director of the Fine art of Record Product Briefing

"Savage's book reads like a chat with an elder craftsman, providing a practical and thoroughly comprehensive introduction to the processes and considerations of today's recording environments...It's refreshing to detect an author in the recording industry that continually keeps the focus on the major priorities and gives a solid presentation of how a student should begin developing their paradigm of sound recording. Whatsoever teacher of music product would be well brash to add together The Art of Digital Audio Recording to their curt listing of essential texts to prepare their students for the technical choices, and creative opportunities, that expect them." --Periodical on the Art of Record Production

The Art of Digital Sound Recording

A Practical Guide for Home and Studio

Steve Brutal

From Our Blog

Is Lady Gaga an artist?

By Steve Savage When is it art? This question may be debated incessantly. In the world of music, we know that music tin can be art -- simply are musicians artists?

Posted on May 29, 2012

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Why Auto-Tune is not ruining music

Past Steve Savage Originally made famous as a special event on Cher's 'Believe,' Machine-Tune ' the program that tin fix the pitch of a singer ' has received a lot of bad press. A recent slice in Fourth dimension Magazine blamed it as the primal reason 'why pop is in a pretty serious lull at the moment' and listed it in its 'l Worst Inventions.' At that place have been demonstrations at the Grammy'due south against Auto-Melody as though it was to blame for the onslaught of formulaic pop (2009, Death Cab for Cutie). Jay-Z had a hit with the anti-Auto-Tune song 'D.O.A (Death of Auto-Tune),' despite its widespread utilize by fellow rap artists from T-Pain to Kanye West.

Posted on June 26, 2012

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The Loudness War

By Steve Brutal In my last blog posting I wrote in defense of Auto-Tune. So if it'south not Machine-Tune, and then what is wrong with pop? To the extent that technological capabilities have created a trouble, it's the loudness war that created it. A brick wall limiter is the tool that makes digital audio files loud and in the process information technology can crush the dynamics and render the music lifeless. The effect is really very powerful.

Posted on July 17, 2012

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